A man sits on the rubble—
not just in the rubble, but on the pile
of what remains. No people
in the bombed-out houses.
No dogs. No birds. Just ragged hunks
of concrete and loss. And on his perch
he is playing an instrument constructed
of what is left—an olive oil can, a broom handle,
a bowed stick and strings. It sounds
exactly as it is supposed to sound.
The instrument cries, but the man sings.
Because sometimes loss is deeper than tears.
Because sometimes grief is resistance.
Because, somewhere down the very long road,
music is stronger than bombs.