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A standing room only crowd was delighted to discover the diversity of the music,
culture, and peoples of Canada at this presentation by a trio from the Royal Canadian
Mounted Police Band. Soprano Kerry-Anne Kutz, who is also the music director and
lay chaplain of the Lakeshore UU Congregation in Beaconsfield, Québec,
was joined by trumpeter husband Michael Cartile and pianist Pierre François.
Kutz began with "Just One Voice," by Ann Mortifee from British Columbia.
The song speaks of how we are just one voice, yet that voice joined together with
others can change the course of history's turning, and we can then witness the
"dawning of the daring sunrise."
Kutz then taught the attendees the proper spelling of her surname, K - U -
T - Zed, before telling about the incredible diversity of the Canadian people.
They have come here from different places, many from cultures far beyond North
America. And yet the thing that unites them is a love for the land, and a connection
to the physical place of Canada that runs deep through the spirit.
In her travels to the North, Kutz spoke of the dozens of people she met who
came to the Yukon, Northwest Territories, and Nunavut for just a couple of weeks,
and stayed for their lifetimes. This land is a wonder in June, with the land of
the midnight sun, where children play outdoors until 2:00 a.m., and where, in
January, you must leave your car running. She then sang "Out of the Silence"
by Scribbler's Ink: "Every heart's a dream, every soul's a song, searching
for the rainbow's end for a place we belong. Out of the silence, like a whisper
on the wind."
Within the cultures of the territories, it is important to look into the eyes
of one another, and in fact, Kutz stated, to do otherwise, or to look away is
to insult them, particularly if they are children. These people live in a land
where beluga whales can be seen swimming in the waters, and there is a genteel
diversity of flora, fauna, and peoples. The Northwest Territories is, as it says
in the song "Here's to the People," a place where shared effort of minds,
lives, and hearts lead to the dream lasting forever, the dream of a people working
together.
Many people, Kutz said, don't see the beauty of the prairies and say that there
is nothing there to see. Yet the prairies contain open plains, foothills, Rocky
Mountains, pasture lands, farms, and a people who see much in the prairie winds.
The song "Prairie Boy," with words by author W.O. Mitchell and music
by Morris Surdin, captures the hauntingly beautiful spirit of the prairie lands.
We journeyed next to the big city, with the familiar song by Saskatchewan native
Joni Mitchell, as Kutz invited the attendees to join in on the chorus of "The
Big Yellow Taxi": "Don't it always seem to go that you don't know what
you've got 'til it's gone; they paved Paradise, and put up a parking lot."
Saskatchewan was the birthplace of socialism in Canada, with former Baptist
preacher Tommy Douglas authoring the Canadian universal health care system. There
is a deep sense of cooperation in the province, and the people resemble the beautiful
open landscape, being open in much the same way. When Kutz moved to her home in
Ottawa, it was her goal to get the people walking by on the street to say hello
to her. Every day she walked the same path, and saw the same people. She decided
that if she ever met someone who passed and said "Hello" back, she'd
give them $10. She still has her $10 bill. With that, Kutz shared her own composition,
"Each Time," with the people. "So look at me my friend," she
sang, "Each time that we pass by. Warm me with your precious smile, and hold
me with your eyes."
Continuing east, Kutz involved the attendees in singing "Nam Yoho Renge
Kyo," with music written by Paul Hoffert and Skip Prokop, members of the
Canadian band Lighthouse. "Peace on earth could live forever, If we only
try. Sharing love with one another, Understanding and singing together."
Castile, on flugelhorn, and François, on piano, next presented a wonderful
jazz version of Gordon Lightfoot's classic song, "Early Morning Rain."
Kutz developed three goals when she was a teenager: to become a good musician,
become bilingual, and marry a French man. Having accomplished all three, she then
shared with the mostly English-speaking audience two numbers by Québec
artist Gilles Vigneault. The first, "Le Doux Chagrin," speaks of broken
hearts, and about how difficult it is to love. The second, "Mon Pays,"
spoke of Vigneault's love for Québec: "My country is not a country,
it is winter. My garden is not a garden, it is the snow. My road is not a road,
it is a plain. My country is not a country, it is winter."
Canada's commitment to peace, and to the humanity of everyone, was shared through
the "Hymn to Freedom," with words by Harriette Hamilton, and music by
Oscar Peterson. It speaks about it will not be until "Every hand joins every
hand, and together molds our destiny, that's when we'll be free. Any hour, any
day, the time soon will come, when we will live in dignity, that's when we'll
be free."
A touch of sadness entered the room as Kutz told of the murder of fourteen
young women on December 6th, eleven years ago. A man killed them in Montreal,
simply because they were women. Since that time, their deaths have been memorialized,
every year. "I will care for you," she had us sing, "I'll be there
for you, I will share this space and make it safe. I will care for you."
Kutz's song continued speaking of taking care of all living things, and those
who may lose their way, so that we must strengthen ties in our families, sharing
laughter, thoughts and tears, and by reaching out to the community to dispel hatred
and fears.
Because Kutz's work with the RCMP Band has her traveling away from home, she
wrote the "Lullaby Waltz" for her children, that let them know how much
she loves and misses them when she's on the road. Yet her travels take her to
special places, where the healing gift of music is so badly needed. Several years
ago, she arrived in Nova Scotia just five hours after the Stellarton mine had
blown up, trapping 26 miners below, with no one knowing whether they were dead
or alive. During that trip, she often sang "Working Man," by Nova Scotian
Rita MacNeil.
Responding to the diversity that exists in Canada, Kutz then performed the
Italian aria "Time to Say Goodbye." And although she attempted to end
the concert at this time, she was brought back for an encore. But it was a shared
encore -- and an educational one -- as she invited all gathered to share in the
song "Allouetta," naming more body parts than we can remember.
This event was sponsored by the US Chapter of the International Association
for Religious Freedom, and we were welcomed by both the Rev. Doris Hunter, co-chair,
and by the Rev. Olivia Holmes, Director of the UUA's International Office. Hunter
invited people into membership of the US and Canadian Chapters of the IARF, the
oldest religious interfaith group, founded by the Unitarians in 1900. Hunter also
invited people to attend the IARF's triennial conference in Budapest July 28th
to August 2nd, 2002.
Reporter Lisa Presley; Web Designer Anna Belle Leiserson